TRIBUTE TO
RITA HAYWORTH
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The Films of Rita Hayworth 1935 Under the Pampas Moon 1936 Human Cargo 1937 Trouble in Texas 1938 Who Killed Gail Preston? 1939 The Lone Wolf Spy Hunt 1940 Blondie on a Budget 1941 The Strawberry Blonde 1942 My Gal Sal 1943 Show Business at War 1944 Cover Girl 1945 Tonight and Every Night 1946 Gilda 1947 Down to Earth 1948 Lady from Shanghai 1951 Champagne Safari 1952 Affair in Trinidad 1953 Salome 1957 Fire Down Below 1958 Pal Joey 1959 They Came to Cordura 1960 The Story on Page One 1962 The Happy Thieves 1964 Circus World 1966 The Money Trap 1967 The Rover (L'Avventuriero) 1971 The Sons of Satan (I Bastardi) 1972 The Wrath of God
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BIOGRAPHY Margarita Carmen Cansino was born in Brooklyn, New York on October 17, 1918 into a family of dancers. Her father, Eduardo was a dancer as was his father before him. He immigrated from Spain in 1913. Rita's mother met Eduardo in 1916 and were married the following year. Rita, herself, was trained as a dancer in order to follow in her family's footsteps. She joined her family on stage when she was 8 when her family was filmed in a movie called LA FIESTA in 1926. It was her first film appearance, albeit uncredited, but by no means was it to be her last. Rita was seen dancing by a Fox executive and was impressed enough to offer her a contract. Rita's 'second' debut was in the film CRAZY DIABLO in 1934 at the age of 16. She continued to play small bit parts in several films under the name of Rita Cansino until she played the second female lead in ONLY ANGELS HAVE WINGS in 1939 when she played Judy McPherson. By this time she was at Columbia where she was getting top billing but it was Warner Brothers film THE STRAWBERRY BLONDE in 1941 that seemed to set her apart from the rest of what she had previously done. This was the film that exuded the warmth and seductive vitality that was to make her famous. Her natural, raw beauty was showcased later that year in BLOOD AND SAND filmed in Technicolor. She was probably the second most popular actress after Betty Grable. In YOU'LL NEVER GET RICH with Fred Astaire, in 1941, was probably the film that moviegoers felt close to Rita. Her dancing, for which she had trained all her life, was astounding. After the hit GILDA in 1946, her career was on the skids. Although she was still making movies, they never approached her earlier work. The drought began between THE LADY FROM SHANGHAI in 1948 and CHAMPAGNE SAFARI in 1952. Then after 1953's SALOME she was not seen again until PAL JOEY in 1957. Part of the reasons for the downward spiral was television, but also Rita had been replaced by the new star at Columbia, Kim Novak. After a few, rather forgettable films in the 1960's her career was essentially over. Her final film was THE WRATH OF GOD in 1972. Her career was really never the same after GILDA. Her dancing had made the film and had made her. Perhaps Gene Ringold said it best when he remarked, "Rita Hayworth is not an actress of great depth. She was a dancer, a glamorous personality and a sex symbol. These qualities are such that they can carry her no further professionally". Perhaps he was right but Hayworth fans would vehemently disagree with him. Rita, herself, said, "Every man I have known has fallen in love with Gilda and wakened with me". By 1980, Rita was, wracked with Alzheimer's Disease. It ravaged her so, that she finally died on May 14, 1987 in New York City. She was 68.
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Put The Blame On Mame (Nightclub)
"When they had the earthquake, in San Francisco, back in 1906. They said that old mother nature, was up to her old tricks. That's the story that went around, but here's the real lowdown. Put the blame on mame boys, put the blame on mame. One night she started to, shim and shake, that brought on the `Frisco quake. So you can. Put the blame on mame boys, put the blame on mame. They once had a shootin', up in the Klondike, when they got Dan McGrew. Folks were puttin' the blame on, the lady known as Lou. That's the story that went around, but here's the real lowdown. Put the blame on mame boys, put the blame on mame. Mame did a dance called the Hichy-koo, that's the thing that slew McGrew. Put the blame on mame boys, put the blame on mame."
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